Independent research & image archive

The Great Sphinx of Giza

Archaeology, history, primary sources and historical images

For more than four thousand years, the Great Sphinx has been buried and uncovered, worshipped and neglected, excavated and restored, photographed, measured, interpreted and reinterpreted.

This independent research resource brings together the archaeology and history of the monument with early travellers’ accounts, excavation records, historic photographs and illustrations, scholarly publications, and original investigations into some of the Sphinx’s less familiar stories.

Early photograph of the Great Sphinx of Giza by Maxime Du Camp in December 1849, with much of the monument still buried in sand.
The Great Sphinx of Giza photographed by Maxime Du Camp in December 1849, when much of the monument was still buried beneath the sand.

The Great Sphinx at a glance

The Great Sphinx stands on the Giza Plateau in Egypt beside the pyramid complex traditionally associated with the Fourth Dynasty king Khafre. Carved principally from the natural limestone bedrock, it combines the body of a recumbent lion with a human head wearing the royal nemes headdress.

The monument measures approximately 73.5 metres long, 19.1 metres wide across the haunches, and about 20 metres high. Most Egyptologists place its creation in the Fourth Dynasty, probably during the reign of Khafre in the 26th century BCE, although aspects of its date, identity, purpose and subsequent history continue to be investigated and debated.

c. 73.5 mtotal length

c. 20 mmaximum height

Giza limestonebedrock and masonry repairs

Fourth Dynastyconventional date

About the Great Sphinx

An introduction to the monument, its history, names, setting and archaeological context.

Frequently Asked Questions

Who built it? How old is it? What happened to its nose? What lies beneath it?

Dimensions & Survey Data

Detailed measurements of the monument based on modern archaeological survey.

Investigations & Original Research

Beyond the familiar questions about the Sphinx are stories preserved in old excavation reports, travellers’ accounts, forgotten photographs and fragments of archaeology that have since disappeared. These articles follow the evidence through the original sources.

View across the top of the Great Sphinx’s head showing the open head cavity during Émile Baraize’s excavation and restoration work around 1930.
The cavity in the top of the Great Sphinx’s head before it was sealed during twentieth-century restoration work, c.1930.

Tunnels and Chambers of the Great Sphinx

How reports of genuine shafts, fissures and openings developed over centuries into stories of hidden chambers beneath the monument.

Great Sphinx of Giza viewed from the south during Émile Baraize’s excavations, with the Roman-period staircase visible in front of the monument.
The Roman-period staircase at the Great Sphinx during Baraize’s excavations, before most of the structure was removed.

The Roman Remains at the Great Sphinx

The lost staircase, paving, inscriptions and other remains that once surrounded the Sphinx during the Roman period.

Sixteenth-century illustration by Johannes Helfrich depicting the Great Sphinx of Giza as a female figure identified with the goddess Isis.
Johannes Helfrich’s 1582 depiction of the Great Sphinx as Isis — one strand in the long history of disagreement over the monument’s sex.

The Sex of the Great Sphinx

Why travellers and scholars spent centuries disagreeing over whether the Great Sphinx was male or female.

Continue to Tunnels and Chambers, Part 2 — Death and Resurrection →

Historical Image Archive

For centuries the Great Sphinx was known to much of the world through drawings, engravings and, eventually, photographs. These images record not only the changing appearance of the monument, but changing ideas about what it was.

Explore the Sphinx from the strange and imaginative representations of the sixteenth and seventeenth centuries to the first generation of archaeological drawings and the dawn of photography.

Early modern illustration of the Great Sphinx of Giza from André Thevet’s Cosmographie de Levant, published in 1556.
André Thevet’s highly imaginative Great Sphinx, 1556 — one of the early European attempts to picture a monument still largely buried in sand.

16th–18th centuries — Imagining the Sphinx

Early European artists tried to reconstruct a monument that most had never seen and that remained largely buried in sand.

Henry Salt’s 1817 illustration of the Great Sphinx of Giza after Giovanni Battista Caviglia excavated the front of the monument.
The Great Sphinx revealed during Caviglia’s 1817 excavations, recorded by Henry Salt.

Early 19th century — Exploration and excavation

The Sphinx increasingly became a subject of measured observation, excavation and archaeological recording.

John Beasley Greene photograph of excavations near the Great Sphinx at Giza in 1853, with the Sphinx visible above the archaeological works.
John Beasley Greene’s 1853 photograph of excavations near the Great Sphinx, among the earliest archaeological photographs made at Giza.

Mid-19th century — The dawn of photography

The first photographers transformed the Sphinx from an illustrated wonder into an archaeological subject preserved in extraordinary detail.

Sources & Research Library

Research into the Great Sphinx is scattered through more than two thousand years of written sources, excavation reports, photographs, archaeological archives and scholarly publications. This section provides routes into both the original material and modern research.

Books & Articles

Primary texts, excavation publications and scholarship on the Great Sphinx.

ARCE Sphinx Project 1979–1983 Archive

Photographs, survey records and documentation from the modern Sphinx project.

Archives Lacau

Rare photographs preserving Baraize’s excavations, restorations and vanished features.

The Giza Archives

A gateway to excavation records, photographs, plans and publications from Giza.

Digital Giza

Harvard’s digital environment for exploring the monuments, records and archaeology of Giza.

Denkmäler / Lepsius

Nineteenth-century plates preserving inscriptions, monuments and details that have since changed or disappeared.

Great Sphinx of Giza viewed from the south during Émile Baraize’s excavation and restoration work, showing ancient repairs and surrounding archaeological remains.
The Great Sphinx during Baraize’s excavation and restoration programme, revealing multiple phases of ancient construction and repair.

Featured from the archive

The Sphinx during excavation and restoration

During the twentieth-century clearance of the Great Sphinx, Émile Baraize’s excavations exposed an extraordinary accumulation of ancient construction, repair and later activity around the monument. Photographs from the Archives Lacau preserve details that were altered or removed during the work itself.

View the image and its history →

About this resource

The Great Sphinx of Giza Resource Page is an independent research and image archive devoted to the history, archaeology and representation of the Great Sphinx.

Wherever possible, articles are based on archaeological publications, primary historical sources and archival material, with links to digitised originals and further reading. Historical illustrations and photographs are identified and credited to their source collections, and original investigations are distinguished from established archaeological interpretation.

The aim is simple: to make both the familiar and the forgotten evidence for the Great Sphinx easier to find, examine and understand.

About the Great Sphinx →

Scroll to Top